Roxanne Barcelona

Philippines

Roxanne Barcelona has spent 42 years in Asia’s broadcast/content industry, most recently as vice president/consultant of GMA Network Inc’s Worldwide Division, where she was responsible for the distribution of GMA’s content worldwide. She held various roles at GMA during her 27+ years with the Philippines’ network, including 23 years with GMA Worldwide, where she headed both content acquisition and distribution.

Tanya Bautista-Navarro

Head of Creative, ABS-CBN International Productions, Philippines

Tanya is an award-winning writer and creative force from Manila, whose journey into storytelling began with an unexpected twist. While initially applying to the news department of ABS-CBN Corporation (now ABS-CBN Studios), a spontaneous brainstorming session revealed a hidden talent – and a new path into film and television. She has since produced 18 series, anthologies and a feature film, winning recognition for her ability to weave emotionally resonant, culturally rooted and universally appealing stories. In her current role, she leads the development of original content for global audiences.

Theodore Boborol

Film and television director and screenwriter

Theodore Capistrano Boborol is a celebrated film and television director and screenwriter. A cum laude graduate in Broadcast Communication from the University of the Philippines–Diliman, he began his career in 2000 as a creative researcher for Star Cinema. He directed teen romcon “Just  the Way  You  Are” (2015), gaining widespread acclaim with “Vince  and  Kath  and  James” (2016) and helming blockbuster “Finally  Found  Someone” (2017). His résumé includes drama series “Angelito: Batang Ama”, “Be My Lady” and “Araw Gabi”. In digital, he broke new ground directing “Sparks Camp” (2023-present), the Philippines’ first queer dating reality series; global hit Wattpad adaptation “Ang Mutya ng Section E” (2025); & ABS-CBN’s first original microdrama, “The Chambermaid’s Daughter” (2026).

Marco Bresciani

Executive Producer, Creative Director & Founder, C9 Media

Marco boasts two decades of experience in the entertainment industry, having held key production positions at MTV/Paramount, Turner and Fox/Disney. His portfolio includes directing performances by Kanye West and Lady Gaga, producing talk shows featuring Tom Cruise, and contributing to numerous unscripted formats, such as “Asia’s Next Top Model”. In 2016, he successfully founded Eyedid.it, a digital creative agency with offices in Hong Kong, Singapore and Saigon. He is currently Partner and Head of Production at C9 Media, an award-winning production house based in Singapore and Hong Kong.

Emma Brown

Programme Coordinator, Blue Chair

Emma Brown is a graduate from the University of North Carolina (go Tarheels!) and is originally from North Carolina. She is currently serving as the Program Coordinator at Blue Chair through Princeton in Asia, an organisation that fosters cross-cultural understanding through immersive work experiences. Previously, she has worked in a variety of roles as a Graphic Designer, Volunteer Coordinator, Filmmaker, and even Yoga Teacher! You can regularly catch her taking yoga classes in her spare time, and otherwise, she loves to travel, cook, and watch movies. 

Anthony Buncio

SVP of Streaming, Screenplay Films

Anthony has over 20 years of experience working in the U.S. and Asia as a senior content executive and producer/showrunner. He currently spearheads creative development & content strategy for one of Indonesia’s major film/TV studios, Screenplay Films. His latest series include “Zona Merah”, “Ratu Adil” and “Pertaruhan” for Vidio, and “Mendua” and “Tira”, for Disney+ Hotstar. Prior roles include regional EP for iflix and launching global formats with Fox Networks Group, Sony Pictures and CBS Studios Int’l. Anthony started his career in the U.S. as a line producer on feature films and supervising producer.

Anne Chan (陳安怡)

Co-founder & CEO, AR Global Media Network

Anne is a leading figure in Asia’s micro-drama revolution and a driver of regional and international content innovation. With over two decades of media experience — including senior roles at CJ ENM and Paramount International — she specialises in cross-market expansion, global partnerships, and building high-impact content ventures across Asia and global digital markets. Anne leads AR Global Media Network’s vision to build a connected global content ecosystem. Under her leadership, AR became the first company to bring microdrama content to major Southeast Asian platforms, forging landmark partnerships with Telkomsel, AIS and CelcomDigi. She also secured the exclusive global representation of ReelShort, positioning AR at the center of the worldwide short-form content movement.

Vickie Chang

Founder & CEO, Rising Storm Global Entertainment Ltd.

Vickie brings over 25 years of experience in the U.S. entertainment industry, with credits spanning film, TV, music videos, and global campaigns. Having worked with major brands like Amazon, Disney, and Univision, she returned to Taipei in 2021 to spotlight Taiwanese culture globally. A University of Maryland marketing graduate and AWE member, Vickie is dedicated to empowering the next generation of Taiwanese artists while bridging international creative communities through her work and leadership.

Christopher Chen

Executive Producer, Reno Studios

Christopher is a film producer and visual effects supervisor with over three decades of international experience. He is Executive Producer at Reno Studios, whose recent work includes Netflix Taiwan’s “AGENT FROM ABOVE”, Sky Studios’ “FIGHT OR FLIGHT” and MBC Studios’ “MU’AWIYAH”. His career spans film, television, animation and large-scale projects across Asia, Europe and the MENA region. He is also involved in technology ventures, AI-assisted R&D and Pan-Asian co-productions. Chris started his career at Gary Kurtz’s production company Startling Imagery in London, UK.

Cindy Chino

Co-founder, GM Japan, Empire of Arkadia (EOA)

Cindy is a leading international business development executive in Japan with 36+ years of experience in both creative & commercial. Before EOA, she worked for commercial broadcaster, Nippon TV, in production/news and global strategy & sales, and led the international sales team for more than seven years. She was behind the roll out of non-scripted titles such as “Masquerade”, “Old Enough!” and “Block Out” and scripted titles including “Mother”. Currently in close alignment with both local and global partners, her primary focus is to execute strategy for Japanese creatives to cross further borders..

Han Choi

Head of U.S. Content, Vigloo

Hanwool (Han) Choi leads the planning, production, and distribution of Vigloo’s U.S. original micro-drama slate. Drawing on her experience in global content strategy at CJ ENM, TikTok and Kakao Entertainment, she brings deep K-content expertise to every stage of the creative process, from script acquisition through post-production, helping define Vigloo’s distinctive approach to vertical storytelling. She is currently based in Los Angeles.

Justin Deimen

Managing Partner, Goldfinch International

Justin Deimen is a systems-oriented cultural strategist and media entrepreneur working across the creative economy to shape societal narratives, capital flows and institutional futures. Operating at the intersection of art, finance, Web3/AI and humanity, he specialises in developing and scaling sustainable creative ecosystems – aligning IP, commercialisation, trade policy and talent across global markets. His work spans film/TV, performing arts, media-tech, branded entertainment, gaming, sports, licensing, fundraising and M&A. ance, private equity and venture/impact capital.

Jose Escalante

CEO-Director, Latin Media Corporation

Jose has been CEO-director of international acquisition, production and distribution company, Latin Media Corp., since September 2009. The company maintains strong content links with Asia, acquiring series from, among other markets, Malaysia, Thailand, Korea, China, Vietnam, The Philippines  India, and Taiwan, for distribution in Latin America, and the US, the company also distributes series and Telenovelas from Latin America in Asia, Latin America, and Europe. Jose’s previous roles include president and CEO at Dori Media and CEO and vice president at RCTV International.

Patrick Frater

Consultant and media industry journalist, F Media

Based in Hong Kong and Bangkok, Patrick Frater has over 20 years of experience writing about and analysing the international entertainment industry. He has worked with publications including Screen International, The Hollywood Reporter and Film Business Asia. He was Asia editor of Variety between 2005 and 2009 and between 2013 and November 2024.

Scott Freeman

Executive Producer and the Board of Governors for the Television Academy

Scott is an Emmy-winning Executive Producer whose credits include The Challenge (MTV), Stars in Danger: The High Dive (Fox) and scripted film, Pedro, among many others. Currently developing and pitching unscripted programmes, Scott was a 25+ year veteran of reality powerhouse Bunim/Murray Productions (BMP) with EVP titles in original production, development and international. He was involved with shows such as The Real World, Road Rules and The Simple Life, played a key role in format development and international acquisitions, and worked closely with Banijay’s global production companies after BMP was acquired. Scott serves on the Board of Governors for the Television Academy.

Shuning Fu

Regional Content Acquisition Manager, PCCW

Shuning is Regional Content Acquisition Manager for PCCW and regional streaming platform Viu. Before joining PCCW in August this year, she was director of programming and acquisition for regional channels operator, KC Global Media, heading the acquisition of Asian content for Korean and Japanese entertainment channels, ONE and GEM. Prior to KC Global Media, Shuning managed the acquisition of Asian content for Sony Pictures Entertainment and was the business strategist for brand & segment marketing for Singapore telco, Singtel.

Danny Fung

Danny began his career in the media-content business more than two decades ago writing for film directors John Woo and Tsui Hark, producing live radio shows for Hong Kong’s Metro Broadcast, and content production, acquisitions, programming, strategic development of short & long-form, as well as  brand management and digital transformation and migration, starting with TVB HK, followed by Indosiar (Jakarta), NBC Asia, Disney Studios, Turner Broadcasting/WarnerMedia), Viacom Int’l Media Networks – Paramount, and most recently as VP/Head of Content, Programming & Operations for KC Global Media.

Henry Fung

VP of Content Development and International Distribution, Viu

Henry is VP of Content Development and International Distribution at Viu, PCCW’s pan-regional OTT video streaming service. Since joining the PCCW Media Group, he has held a wide range of roles spanning content, business development, and international functions across different units.  As one of Viu’s founding team members, he has been at the forefront of the company’s evolution — from laying commercial foundations and forging regional partnerships in the early days, to shaping content strategies that fuel growth.

Renata Gaidienė

Producer, Screenwriter

Renata is a Lithuanian screenwriter and producer based in Singapore. Over 30 years in the diplomatic world have taken her from Hollywood to Southeast Asia, inspiring her work at the intersection of American filmmaking and Thailand’s growing screen industry. A storyteller for more than 15 years, she is currently developing a Muay Thai television series for American audiences.

Wilma Galvante

Producer, Content Creator

Wilma V. Galvante is a distinguished television executive, content strategist, and producer with over four decades of experience in the Philippine media industry. She served as SVP for Entertainment TV at GMA Network, where she spearheaded the development and production of numerous top-rating and award-winning programs across multiple genres. She later served as Content and Programming Consultant for TV5 and Net25, helping shape their entertainment and programming strategies. Today, she sits on the board of the Movie and Television Review and Classification Board and she continues to champion compelling storytelling as a media consultant, content creator, and mentor, with a strong focus on developing content for both broadcast and digital platforms.

Karl Gan

Screenwriter, Producer, Director

Karl Gan is a Singaporean screenwriter, producer and director working primarily in horror and coming-of-age genres, across platforms including games and audio. He was creator and head writer of “The Last Bout” (2024), a 10-episode boxing drama for Mediacorp Singapore, starring Yao, last seen in Oscar-winning film “Sinners”. He created Audible zombie audio thriller “Therapy Z” (2023) and “Ready Player Mum” (2026), billed as the first U.K.-Taiwan series co-production, supported by TAICCA. His video game credits include Ubisoft’s Assassin’s Creed: Valhalla (2020) and Skull & Bones (2023). His 2019 horror script “This Bedroom is Dead” featured on the Bloodlist. He is an alumnus of BIFAN Fantastic Film School (2024) and the 2020 IMDA-Lasalle ProducersLab, mentored by Sir David Puttnam

Jonathan Glazier

Format Creator

Jonathan Glazier is a globally respected format creator and multi-camera director with a standout reputation across SE Asia. He is currently developing original shows for broadcasters and platforms in the Philippines, Bhutan, India and Singapore, following recent commissions in the region. Jonathan previously served as Head of Light Entertainment and International Formats at the BBC, where he helped shape global entertainment output. His credits include three series of “Asia’s Got Talent”, solidifying his role as a trusted creative force in large-scale international productions.

Benjamin Goh

Head of Post Production & Technology, Space Lion Studios

Benjamin brings over two decades of experience in the television and media industry, with a background that spans producing, editing, lecturing and consulting across genres such as documentaries, drama, sports, trailers and advertising. As Head of Post & Technology, Benjamin oversees the company’s post-production, camera, and IT operations – managing technical teams, ensuring quality control, and leading the continual development of BHP’s facilities. He also spearheads the company’s AI research and innovation initiatives.

Gunawan Goony

Professional in Programming, Creative Concept, Content Curation & Acquisition/Distribution

Gunawan Goony is a veteran Indonesian TV executive and one of the country’s best-known programmers on the international stage. Over decades at free-TV networks ANTV and TPI, he has been behind major hits including Bawang Putih Berkulit Merah and Karma, played a key role in reviving Indian epics Mahabharata and Ramayana, and helped popularise Thai and Latin American dramas in Indonesia. He also spearheaded the reality series Expedisi Merah. Active on social media, Gunawan runs his own YouTube channel and has served as a ContentAsia Awards jury member for four consecutive years.

Jin Woo Hwang

Co-founder, President & EP, Something Special

The co-founder of Korea’s 1st format production agency, Jin Woo has produced 40+ primetime TV shows and developed 112 original formats. He was previously CJ ENM Media’s head of Formats & Content Development (Content Division) and head of Global Content Development (Solution Division), and has been a production consultant in 22 territories. Jin Woo is a FRAPA General Board Member, and the Korean Format Alliance chair (Dec 2021-2024). In 2018, he was awarded a Prime-Minister citation for dedication to Korean content. His production/development credits include: Better Late Than Never, I Can See Your Voice & Love at First Song.

Mrinalini Jain

Group Chief Development Officer, Banijay Asia and Endemol Shine India

Mrinalini is a fast-rising force in India’s content development space, from her start as a creative producer to her current role as Group Chief Development Officer at production companies, Banijay Asia and EndemolShine India, where she drives strategic content expansion across Asia. She has a holistic approach to content development, and has been at the forefront of shaping the Hindi streaming landscape across fiction and non-fiction formats. This includes partnerships with BBC Studios and CBS — from The Trial (an adaptation of “The Good Wife”), to remakes of the Night Manager, among others.

Raju Jayakumar

Deputy Chief Editor of Content Commissioning and Planning, Mediacorp

With over two decades of experience, Raju leads the commissioning team for CNA, the regional news and current affairs wing of Singapore’s national media network Mediacorp, responsible for award-winning documentaries like “Black Thursday”, “The Negotiators” and “The Mark of Empire”. In the past year, he spearheaded the launch of the CNA FAST channel, now available on platforms like Freeview in the U.K. and Amasian TV in the U.S. The FAST channel is a curated blend of CNA’s best programmes, aiming to give viewers in the West a single destination to ‘Understand Asia’, as the channel’s tagline suggests.

Jessica Kam-Engle

Founder/Executive Producer, Kanvas Creations

Jessica is the founder and executive producer of Kanvas Creations. She was most recently EVP & Business Head for CreAsia Studio, established in 2024 to drive Banijay Asia’s Southeast Asia expansion. CreAsia Studio produces local originals and Banijay format adaptations. She was previously Head of Content & Development for Disney+ APAC, where she commissioned more than 60 original series; and Head of Original Production at HBO Asia/WarnerMedia. Before HBO, Jessica was an independent producer based in Beijing, producing 10 feature films including The Piano in a Factory and Just Another Pandora’s Box. She previously held regional marketing & sales roles at Celestial Pictures, MTV Asia, MGM Gold Network and Dow Jones Newswires.

InSoon Kim

Co-Founder, Executive Vice President, and Head of Content, Something Special

InSoon has more than 18 years of experience in a range of roles, including Researcher at Content Formatting Lab (Korea’s first TV format R&D lab), Format Specialist at CJ E&M, Producer at Global Productions, SBS; and MD at FormatEast (SBS’ format IP development affiliate). She is currently Adjunct Professor at Korea’s National University of Arts, and Judge and a Member of International Emmys Awards Organization. Her format development/distribution credits include: “The Beatbox” (co-created with Fremantle Netherlands), “Tiny Desk Korea” (LG U+), and “Unforgettable Duet” (2025).

Vanita Kohli-Khandekar

Journalist & Author, India

Vanita has been tracking India’s media & entertainment business for two decades. She is a columnist and writer for Indian financial daily, Business Standard, and contributes to ContentAsia. The Media Room, her media and entertainment podcast, is hosted on The Core. A Cambridge University press fellow (2000), Vanita has taught at top media schools in India. Her signature book, The Indian Media Business (Sage) is in its fifth edition. Her second book, The Making of Star India – the story of Rupert Murdoch’s India Adventure (Penguin-Random House), is being developed into a TV series. She is now working on a book on Indian cinema.

Ryuji Komiya

Head of International Distribution (Unscripted Format), Fuji TV

Ryuji Komiya has been Fuji Television’s Head of International Distribution (Unscripted Formats) since 2019, working closely with Fuji’s production department, developing new formats for the international market and distributing Fuji TV’s hit formats such as “Iron Chef” , “Hole In the Wall”and “Run for Money” worldwide. In 2021, he co-produced “Connection/The Spin” with the Story Lab. Also in 2024, he co-produced “The Swap Project” with the Gurin Company. From 2005 until 2019, was Producer for various Cirque du Soleil touring shows in Japan.

Daria Kopach

Producer, Founder, Mean Mama Films

Based in Bangkok, Daria has 20 years of experience across scripted TV, feature films and international production. She has developed/produced 1,000+ hours of content, including “Happy Together”, the Russian adaptation of “Married… with Children” and “It’s Sunny in Moscow”, adapted from “It’s Always Sunny in Philadelphia”. Through Mean Mama Films, she develops original features and series and provides production services/co-pro solutions for int’l partners. Recent projects include Thai films “Esarn 7” (2027) and “Algo in the Sky” (2027, TSixtySix/Indochina) & “Love Lesson 010” for OneD, which was #1 on Netflix Thailand.

David Kwok

Founder & CEO, Tiny Island Productions

Under David’s leadership, stereoscopic 3D animation studio Tiny Island has partnered with giants like DreamWorks Classics, Saban Entertainment and South Korea’s Electric Circus (co-producing G-Fighter), delivering content to 80+ countries. The studio is known for its work on Dream Defenders (aired on Sony’s 3net, Hulu, Amazon Prime) and the Ben 10 CGI Telemovie (Cartoon Network). A pioneer in Singapore’s CGI industry, David founded the Singapore Animators Connection (SAC) and drives innovation as an AI application consultant, merging cutting-edge tech with creative storytelling.

Hojin Kwon

Vice Chairman, K-Content Academy Forum | Former Senior Executive Director, SBS Media Group Korea

Dr. Hojin Kwon is a veteran media executive and global K-content strategist, with a 34-year career at SBS Media Group. Among key industry figures behind the international expansion of Korean content, his expertise spans international distribution, acquisition, channel strategy, co-production, format licensing and IP development, including a pivotal role in launching SBS CNBC. He serves as Vice Chairman of the K-Content Academy Forum and is on the Busan Contents Market board. Dr. Kwon has also served on the juries of international festivals & awards, including the Monte-Carlo Television Festival, Banff Rockie Awards, Series Mania, and the International Emmy Awards.

Stephane Lambert

Producer, Filmmaker & Founder, BKK DOC, Bangkok International Documentary Awards Festival

Stephane crafts documentaries focusing on Southeast Asian people and cultures. He is also the host of the Filming in Thailand Podcast.

CK Lee

CEO, SPOTV

CK Lee (Lee Choong Khay), CEO of SPOTV Southeast Asia, has over 30 years of experience in sports media, directing the company’s commercial and strategic direction with a focus on rights acquisition, distribution alliances and partnership growth. Before SPOTV, he was Head of Sports at Astro Malaysia, where he secured major sports rights and built relationships with global rights holders, leagues and regional federations, with his partnerships across media platforms contributing to growth in viewership and revenue. At SPOTV Southeast Asia, CK works to expand the network’s footprint through collaborations with broadcasters, digital platforms and sports organisations, structuring partnerships that maximise reach, monetisation and fan engagement across linear, OTT and events ecosystems.

Marianne Lee

Chief Content Officer, Viu

Marianne is a content professional with a career built around fan generation. She has held senior leadership positions in both content and marketing. She is currently the Chief Content Officer at Viu, PCCW’s leading pan-regional video streaming service, available in 16 markets across Asia, the Middle East and South Africa. She leads a team of content professionals in production, acquisition & curation, driving the overall content strategy to deliver business objectives that resonates across multiple markets. Before Viu, she worked for major U.S. media brands (HBO, Turner, NBC Universal, Sony) and Hong Kong-based broadcast giant TVB.

Thean-jeen (TJ) Lee

Founder & Managing Director, Weiyu Films

Thean-jeen (TJ) is one of Singapore’s most respected and prolific showrunners. An accomplished director and screenwriter with over three decades of experience in television and film, he has built a reputation for crafting powerful, emotionally-resonant stories. He is the founder of production company Weiyu Films, which specialises in high quality, award-winning content, including WWII epic This Land is Mine, the popular 128 Circle, and five seasons of Code of Law. TJ’s work has screened on Netflix, Viu, Amazon Prime and Disney+, and earned recognition from awards and festivals around the world. He is currently showrunning a major long-form drama adapted from a renowned Singaporean novel.

Sandie Lee

EVP & Channel Head, Rewind Networks

Sandie is a seasoned television executive with over four decades of experience in the media industry. She currently leads content, acquisitions, marketing and communications at Rewind Networks, a regional channel operator behind HITS, HITS Now, and HITS Movies. As part of Rewind Networks’ founding team, Sandie played a key role in shaping the company’s editorial and strategic direction. Prior to that, she served as Vice President of Content at StarHub, where she spearheaded the development and launch of locally packaged channels and was instrumental in bringing several international channels to Singapore. Sandie began her career at the Television Corporation of Singapore (now Mediacorp).

Michael Lim

Festival Director, Animation Nation / Founder, Animation Nation

A qualified film archivist, Michael has served as jury member of Siggraph Asia 2023 and judge for the Heroes Int’l Film Festival in Rome and the Global Entertainment Awards. With extensive film & TV experience since 1999, he has contributed to projects like Moulin Rouge and Harry Potter and the Half-Blood Prince. Michael played a key role in the Singapore Int’l Film Festival relaunch, and remains a company member. As a film director, he worked with Jackie Chan for a global UNICEF PSA and co-founded the first Australian chapter of ACM Siggraph. He served as the Assistant Director for the ANDA MFA programme at NYU’s Tisch School of the Arts Asia in Singapore.

Virginia Lim

Chief Content and Talent Officer, Mediacorp (Singapore)

Virginia was appointed to her current role on 1 April 2026, after serving as Chief Content Officer since 2021. In this role, she leads content and talent strategy, with a focus on strengthening original IP, growing regional co-productions, expanding global distribution, developing talent and advancing production capabilities. With more than 26 years in the media industry, Virginia brings extensive experience across broadcasting, streaming and pay television. She has held senior leadership roles across Asia, building content businesses, shaping programming strategies and driving commercial growth across multiple markets. Prior roles include Chief Content Officer at PCCW Media’s Viu, SVP and GM at Sony Pictures Television Networks Asia, and pay-TV platform StarHub.

Jay Lin

Founder & CEO, Portico Media & GagaOOLala

Through Portico Media, Jay has launched over 20 international channels in Taiwan through partnerships with media giants like NBCUniversal and Viacom, and produces thousands of viral videos via HahaTai, Taiwan’s top street interview YouTube channel. In 2017, he launched GagaOOLala, now the world’s largest LGBTQ+, BL & GL streaming platform with over 5m members. Through GOL STUDIOS, Jay has overseen 60+ original titles, including the internationally acclaimed Fragrance of the First Flower and Boys Like Boys, Taiwan’s first LGBTQ+ reality format licensed to Warner Bros. Discovery, cementing Taiwan’s leading role in global LGBTQ+, BL & GL storytelling.

Loh Woon Woon

VP for Chinese Drama Productions and also EP for Emerald Hill, Mediacorp

Loh Woon Woon is a director, producer and creative leader with Mediacorp’s Chinese Scripted Division, joining in 1999 and dedicating over two decades to television dramas built on authentic storytelling. She studied acting at the New York Film Academy in 2013 and won Star Awards Best Director that year for “Against the Tide”. In 2018, she expanded into producing, overseeing dramas including “The Distance Between”, “Hello From the Other Side”, “C.L.I.F. 5”, “When Duty Calls 2”, “My One and Only” and “Emerald Hill – The Little Nyonya Story”. “Emerald Hill” was the highest-rated local Chinese drama of its debut year, topping Netflix Singapore for several weeks, and garnering 19 Star Awards nominations and six awards. She is now Vice President, Chinese Drama Production at Mediacorp.

Geoffrey Low

Senior Content Relations Manager, Dolby Singapore Pte Ltd

Geoffrey is instrumental in driving the adoption of Dolby technologies with content creators by developing a robust content production ecosystem in SEA/ANZ with the ultimate aim of delivering spectacular consumer experiences. From as early as the design stage to the commissioning stage, Geoffrey enables production studios equipped with Dolby technologies while fostering close relationships with existing content studios. With over 20 years of experience, Geoffrey comes from a production background in audio where he had worked passionately on numerous television shows, music releases and live concerts. Geoffrey has also been an educator in the audio technology industry.

May Wah Lwin

Channels Editorial Manager, Canal+ Myanmar

May Wah is senior channels editorial manager for CANAL+ Myanmar, responsible for managing nine in-house channels across a range of genres. She was responsible for launching the highest-rated original TV series on the platform as well as a local sports channel. May Wah has been involved in the broadcast media industry for the past 16 years.

Edgar Joseph (EJ) Mallari

Head of Productions, ABS-CBN International Productions

Edgar Joseph, widely known as EJ, is a homegrown producer at the Philippines’ leading content provider, ABS-CBN Studios. In the past decade, he has produced numerous top-rating shows, including Bagong Umaga (New Beginnings), Nang Ngumiti ang Langit (Mikaela) and Wildflower, receiving notable recognition within and outside of the country. He also served as the Supervising Producer for international crime thriller Cattleya Killer and political action series The Bagman. Currently, he is the Head of Productions for ABS-CBN International Productions.

Haruka Matsubara

Senior Manager, Content Business & Distribution, Nippon TV

Haruka has over 15 years of experience in the global entertainment industry, with a strong foundation in Japan. She recently joined Nippon TV, and manages the international sales of scripted and unscripted formats for local adaptation, while concurrently handling the global sales promotion. Her target markets primarily include Southeast Asia and India. Prior to this, Haruka built a well-rounded career in the international entertainment industry through her work at film promotion and distribution companies. Most recently, she spent nearly a decade at LY Corporation, where she drove content acquisition and planned marketing initiatives for both SVOD and AVOD platforms known as GYAO!, specialising in movies, dramas, and anime.

Kyle Murdoch

Managing Director, Nature Film NZ / Commercial Strategy Lead, IFA Group

Kyle is a chief executive, company director and multi-Emmy nominated producer with 25 years of experience in media industries in the U.K., the U.S., Asia and New Zealand. He worked for Star TV and News Corp in Beijing before establishing NHNZ Ltd.’s Beijing Office in 2010. He returned to NZ in 2012 and was MD/CEO of NHNZ Ltd from 2013-2020. In 2021, he founded Nature Film and continues to produce impact content for the Asia-Pacific region, working with platforms such as CCTV, NHK & Tencent. In 2022, Kyle joined forces with Singapore-based IFA Media. His is Honorary New Zealand adviser to the Asia New Zealand Foundation, and Chair of Film Otago Southland.

Attaphon Na Bangxang

Chief Programme and Content Officer, TrueVisions Thailand

For more than three decades, Attaphon Na Bangxang has led content selection, programming strategy, and production at TrueVisions. His work has spanned both entertainment and sports, where he has helped shape the company’s programming and production efforts. With extensive industry experience, he has focused on delivering content that meets the interests of Thai audiences while responding to changes in the media and broadcasting industry.

Jeevan Nathan

Director, Writer, Showrunner, Monochromatic Pictures and Protagonist by M

Jeevan has created premium drama and documentary productions for Channel 5, CNA, HBO Asia, Netflix, mewatch and regional broadcasters, focusing on cinematic, character-driven storytelling. His recent works include  Singapore–New Zealand drama series “Korban” I & II, which was recognised with the World Media Festival Gold Award for Best Entertainment Drama. His directing credits also include “Black Thursday”, CNA’s acclaimed financial crime docu-drama and “Brothers in Arms”, a true-crime documentary released on Netflix.

Lynn Ng

Group VP, Head of Content Networks APAC and Head of Content Strategy Greater China & SEA, Warner Bros. Discovery (WBD)

Lynn’s responsibilities include leading content editorial, content management and curation for the networks portfolio and driving development and delivery of overall content strategy regionally and in market. As WBD continues to grow its content offerings across the region, she spearheads regional franchise content initiatives, representing relevant local content opportunities on an international stage. Lynn is a multiple award-winning producer and a media executive with deep content expertise across APAC.

Timothy Oh

General Manager of COL Group International and Chief Marketing Officer of FlareFlow

Timothy leads the company’s global expansion across microdrama distribution, original IP, platform-led digital storytelling and international brand strategy. Based in Singapore, he is building COL International into a global hub for licensing, partnerships and innovation, while overseeing FlareFlow’s worldwide marketing, communications and audience growth. With over 15 years of experience across entertainment, media and technology, Tim has held senior leadership roles at Sony Pictures, Microgaming and LiveScore Group, driving brand, marketing and commercial growth across Asia Pacific.

Ahmad Izham Omar

Chief Explorer, Komet Productions

Media and content veteran Izham is well-versed in the creative process of multiple content types, with an enviable track record across SE Asia. Currently Chief Explorer at his own set-up Komet, he was EP for Joko Anwar’s “Siksa Kubur”, Skop Productions’ “Blood Brothers Bara Naga” and “Ejen Ali The Movie 2”. Before Komet, he was Executive Director, Content & Creative, at The Walt Disney Company SEA. He also held various roles at Malaysia’s Media Prima, where he was CEO of Primeworks Studios and Media Prima TV Networks (TV3, 8TV, ntv7, TV9) and where he launched Malaysia’s first OTT platform, tonton. Izham began his media career by launching and managing the successful 8TV urban FTA TV station after a music career as MD of urban label Positive Tone and A&R Director of EMI Malaysia.

Fotini Paraskakis

Founder and Director, Empire of Arkadia (EOA)

Fotini has been instrumental in building Asia’s formats industry. Over 30+ years of experience specialising in both creative & commercial, she has been involved in 400+ content deals across the region. In her role as MD of Endemol Shine Group, she created local superbrands such as Masterchef, Big Brother, Deal or No Deal, Fear Factor, The Bridge and Humans. She also built properties such as Idols, Got Talent and X Factor as Head of Content for Fremantlemedia Asia and, more recently, ran a content fund as Global MD for The Story Lab (Dentsu Inc). She moved to Asia in 1995, and is currently based in London and Singapore.

Swati Patnaik

Creative Director, Applause Entertainment

With over two decades of storytelling excellence, Swati is one of India’s foremost creative leaders in the entertainment industry. As creative director for Applause Entertainment, she drives the development of premium scripted & unscripted series for global streaming platforms. Her body of work includes shows like Tanaav, Undekhi, Black Warrant and Your Honour. Swati’s career spans a diverse portfolio, from youth drama and reality formats to hard-hitting crime fiction and cultural narratives. She has played a critical role in delivering pathbreaking originals for Netflix, Sony LIV, Zee5 and Jiostar.

Deedee Pholthaweechai

Content Strategy & International Business, True Visions NOW (Thailand)

Deedee is a content and streaming executive with over 20 years of experience across film, OTT, and international distribution. At TrueVisions NOW, she leads content strategy, original IP development, and international business, with a focus on bringing Thai stories to regional and global audiences. Her previous experience includes Netflix, where she supported Thai original titles such as “The Believers”, “Analog Squad” and “Master of the House” and GDH, where she led international business and contributed to the global success of titles including “Pee Mak”, “Bad Genius” and “The Medium”.

Haryaty Rahman

EVP Distribution Asia, International, Fremantle

With over 20 years of experience in TV content sales, acquisitions and programming, Haryaty spearheads Fremantle’s finished content sales, format and brand licensing, FAST, and social media distribution in the pan-Asia region – working to bring some of the world’s most iconic TV franchises (Got Talent, Family Feud) and award-winning entertainment to screens and platforms all around the continent.

Paul Robinson

CEO, Creative Media Partners

Paul is a highly experienced international media exec with an impressive track record of success across radio, television and digital media having led teams to brand and revenue growth in senior roles at the BBC, The Walt Disney Company and NBC Universal (KidsCo). For the last three and a half years he has built the international business of Kartoon Studios Inc from zero to 69 countries creating and leading a team delivering linear and on-demand kids and family video channels worldwide. He has negotiated numerous major deals including with Samsung, HiSense, Astro, Linknet, StarTimes and LG.

Imillya Irwani Roslan

Head of Production, Viu (Southeast Asia)

With over 20 years of experience, Imillya is a seasoned production executive who has produced more than 50 theatrical films and premium series, including award-winning features such as Histeria, Papadom, Penanggal, Bikers Kental, Polis Evo, Langit Cinta and Tombiruo: Penunggu Rimba. She leads the production of Viu Originals in Malaysia, overseeing the development and delivery of premium content for regional audiences with credits including The Bridge 2, She Was Pretty, From Saga With Love (Seasons 1 & 2), W: Two Worlds, The Secret, Gadis Masa, Bidaah and Seadanya Kita.

Agnes Rozario

Chief Content Officer, Astro

A pioneer member of Astro and former Director of Content, Agnes was appointed Chief Content Officer in April 2025. She heads the Group’s content team across TV, digital, Sooka, Astro Shaw films and Rocketfuel Talent and Music business. Agnes prioritises innovation in story telling and engagement resulting in the regionalisation of Astro’s IP such as One Cent Thief and Project: High Council and a full slate of new signatures in 2025 such as Big Stage Alpha and Raise The Star Malaysia. Pushing the boundaries in creativity and production, she believes in amplification of content via 360 touch points, including sold out concerts.

Ryan Shiotani

Founder, Aloha Media & Wellness

Ryan Shiotani is a Media Advisor with more than 30 years’ international experience across Asia and Latin America. Previously, he served as SVP, Content, Asia for BBC Studios, where he led editorial strategy, content partnerships and the development of Asian content across the region. Recent editorial credits include “Deep Dive Korea: Song Ji-hyo’s Haenyeo Adventure” and “Ed & Ryu: Mad About Seafood”. Earlier in his career, Ryan was Director of Marketing for Asia & Latin America at Sesame Workshop. He also held senior content leadership roles at Discovery Networks Latin America. Today, he advises producers, platforms and media companies on content strategies, international co-productions and cross-cultural storytelling, helping culturally distinctive stories connect with global audiences. 

Leena Singarajah

Vice President – Media Sales Asia, CAA Eleven

Leena is a commercial media executive with over 30 years’ experience delivering commercial growth, leading strategic transformation, and maximising the value of premium media rights and distribution across Asia Pacific. She has negotiated major media rights partnerships, expanded regional distribution, launched channels and digital platforms, and led business turnarounds for leading media and sports organisations, combining strong commercial expertise with a collaborative approach to building enduring industry partnerships. Passionate about sports, entertainment and media, she values creative ideas that deliver real impact. Her career spans leadership roles with ESPN STAR Sports, IMG Media, Scripps Networks, A+E Networks and CAA Eleven.

Frank Smith

Showrunner, Founder, IFA

Frank started as a BBC documentary filmmaker specialising in conflict zones before founding IFA. A multi-award winning director, writer and showrunner, his work includes a DOP credit on License to Kill, Royal TV Society Doc of the year; producer of Royal TV Society nominee The Killer Wave and Dowry Cops, nominee for Amnesty’s Doc of the year 2004; and director of Peabody winner, A Year in The Clouds. He spearheaded IFA’s push into drama with Golden Bell award-winner The Teenage Psychic (HBO Asia), Nowhere Man (Netflix) and Thai series Forbidden (HBO Asia). In 2024, he produced the first of IFA’s horror slate, Operation Undead, a co-pro with Singapore’s 360, and is currently leading IFA’s immersive experience co-pro with PTS Taiwan.

Tom St John Gray

Documentary maker

Tom is an International Emmy-nominated director and producer with over 20 years’ experience in documentary filmmaking across the U.K. and Southeast Asia. His work has aired on major platforms including the BBC, Channel 4, National Geographic, History, Discovery, SBS Australia, Netflix and CNA. Passionate about history, travel, and culture, Tom holds an MA in Archaeology and Ancient History from the University of Edinburgh and an MA in Southeast Asian Studies from SOAS, University of London. His CNA series The Exiles won Gold for Best Factual Programme (Multiple Markets) at the 2023 ContentAsia Awards.

Makito (Mak) SUGIYAMA

Executive Director, Broadcast Program Export Association of Japan (BEAJ)

Makito is a veteran of the Japanese TV industry with over three decades of expertise in international content distribution, format licensing, global partnerships and international co-productions. At Tokyo Broadcasting System (TBS), he played a pioneering role in establishing Japan’s format business internationally and contributed to the success of entertainment franchises, including “Takeshi’s Castle” and “SASUKE/Ninja Warrior”. Currently serving as Executive Director at BEAJ, he continues to advance Japanese content globally, including producing and moderating flagship showcases of Japanese content at international media markets and contributing to government-led initiatives. He started his international career assisting director Paul Schrader on “Mishima: A Life in Four Chapters”.

Indra Suharjono

Co-founder, I.E. Entertainment Pte Ltd

Indra co-founded I.E. Entertainment, the exclusive worldwide distributor for BEC World, and advises the listed Thai company on its global content strategy. She is also the exclusive distributor of 8-part mini-series COOLIE, produced by Cathay Film Company, and was executive producer of Project Runway Thailand S1. In her 32+ years in Asia’s media & entertainment industry, held was CEO at Taiwan’s Next Animation Studio for 3 years, and spent a decade with Viacom Int’l Media Networks Asia, including as EVP & MD for Asia. She held senior positions with Warner Bros. Pictures Int’l, Warner Bros. Consumer Products and Turner Entertainment Networks Asia. Indra also serves on the board of Cathay Organisation Holdings.

Lina Tan

Founder, RED Communications/RED Films (Malaysia)

Lina is one of Malaysia’s most influential media producers and a driving force behind groundbreaking local content with global resonance. She founded Red Communications in 1999, producing award-winning and genre-defining television such as 3R (Respect, Relax, Respond), Impian Illyana, Oh My English! and SMK. She has worked with global networks such as Disney Channel, Discovery Channel, National Geographic and AETN. Lina has also produced 12 feature films and has received several accolades for her work. In 2024, she won the top prize in the Leadership Commitment category at the UN Women Malaysia WEPs Awards, recognising her continued dedication to gender equality and inclusive media practices.

William Tan

CEO and Founder, The Content Connected

With over two decades of experience spanning media, entertainment, and finance, William has played a central role in shaping the strategic directions of Endemol Shine Group and Viacom International Media Networks business in China. He has successfully brought global hit “Sing or Spin”, “Big Brother”, “The Brain”, “MasterChef”, “Mr Bean”, “Humans”, “Broadchurch”, as well as MTV and Nickelodeon brands to land in China on provincial satellite televisions, online portals, tent pole events, ancillary licensing. Most recently, he secured exclusive Chinese distribution for the epic documentary “Surviving Earth” (Loud Minds & NBC), launching it on CCTV-9, Bilibili, Tencent, and Youku in June 2026.

Redian Tandiana

Acquisition Manager, ANTV

Redian began his creative journey through a deep passion for storytelling and film production, earning multiple awards at local indie film festivals since 2009. This passion led him to a professional career as part of the Creative Team at free-TV service, Trans TV. He went on to produce for RCTI and is currently an Acquisition Manager at ANTV. With a strong production background, he brings a well-rounded perspective in evaluating and acquiring content, balancing creative vision with strategic value, and driving the innovative development of entertainment programmes and local series from end to end.

Matthew Teng

Principal Sound Designer, Mediacorp Audio Post

Matthew joined Mediacorp, Singapore’s national media network, in 2011. His repertoire includes creating captivating theme and sub-theme songs, having scored for a diverse array of dramas and films over the past decade. With his extensive knowhow, Matthew has participated in the audio post-production process for numerous local and international projects.

Khun Hong (Duangnapa) Termkraisri

AVP, IP & Contract Management, BEC World (Thailand)

Duangnapa (“Hong”) is responsible for all licensing contracts for BEC drama distribution. She was previously involved in content acquisition for 25 years, covering multiple genres including U.S. television series, theatrical movies, formats, animated series and documentary as well as sports and events for Thai free-TV network Channel 3. From 2011 to 2017, she was charged with distributing Channel 3 dramas to China and Southeast Asia.

Sari Trisulo

VP & Head of Studios, KC Global Media

Sari leads original productions, creative strategy and studio operations across AXN, AXN Sports, KCM and Animax. Over a career of more than two decades, she has led creative teams and productions across international markets, delivering original content, live events and branded entertainment for broadcasters, streaming platforms, tourism boards and global brands. Previously, she held senior leadership roles at VICE Media, MTV and Comedy Central, where she built regional production capabilities, led large-scale content initiatives and developed commercially successful campaigns that reached audiences worldwide.

Sunita Uchil

Founder / CEO, Karman Unlimited

Sunita is a veteran media executive with over 30 years of experience spanning television, radio and print. Known for her strategic vision in international co-productions and content syndication, she played a key role in expanding Zee TV’s global footprint during her 15-year tenure. In Jan 2024 she founded Karman Unlimited, focused on premium co-productions and format adaptations in India and the MENA region, and also curates a catalogue of finished programming. A champion of factual co-productions, she was EP on science & wildlife titles such as The Life of Earth from Space and Lions: Now or Never.

Artine Utomo

CEO, RTV – Rajawali Televisi Indonesia

Artine is responsible for managing nationwide terrestrial TV station RTV’s overall portfolio, including curating compelling content for Indonesian viewers. Her mandate is to develop and expand RTV’s viewership and relevance, and deliver creative excellence. With almost two decades of experience in Indonesia’s broadcasting industry, her roles have included CEO of free-TV station PT Cipta TPI (2003-2009) and CEO of content development company PT Festival Citra (2011-2016).

Nitipat (Earn) Uahwatanasakul  

Content Strategy & Production Specialist, TrueVisions NOW

Nitipat (Earn) leads the end-to-end development and production of Thai Original films and series for TrueVisions NOW, Thailand’s premium streaming platform, where he directs a portfolio of more than 25 projects a year, from high-profile drama remakes to novel adaptations. A former Content Creative Manager, Local Originals at Netflix, Nitipat brings over 15 years of experience as an Executive Producer and Creative Producer for Thailand’s leading broadcasters and studios, including BEC World and MONO. His work has earned national awards and Southeast Asian award nominations, giving him a rare perspective that spans global streaming standards, Thai broadcast heritage and the craft of premium original storytelling.

Joe Wan

Senior Director of Content and Digital Strategy for Outdoor Channel, Multichannels Asia

Joe is the Senior Director of Content and Digital Strategy for Outdoor Channel in Asia Pacific, Australia and New Zealand. He is responsible for content acquisition, programming, channel operation, marketing and digital strategy. With over two decades of regional experience, he focuses on bringing in both localised and quality content from around the world. He previously held various roles for LeEco OTT China, RTL CBS in Singapore, Turner International, FOX, StarTV and PowerTV CTN Taiwan.

Lily Wang

SVP Production Asia, 9 Story/Brown Bag Films

Lily co-founded animation studio, Bali Animasi Solusi Ekakarsa (BASE), in 2015 in Indonesia with Daniel Harjanto. Prior to that, she worked globally throughout the animation industry, including Nickelodeon Burbank and Infinite Studios Batam. Lily’s production credits include TV series Franklin & Friends, Garfield, Peter Rabbit, Octonauts, Sonic Boom, Luna Petunia, Vampirina and Angele’s Christmas Wish. BASE was acquired by 9 Story Media Group in 2019, and Lily was appointed as SVP Production Asia to continue managing the operation and production for 9 Story/Brown Bag Films in Asia.

Derek Wong

Head, Viu Originals, Southeast Asia, Middle East & Africa

Derek oversees the overall strategic planning and content creation for Viu across SE Asia, Middle East and Africa, including Viu Original titles. Derek has over 25 years of television content production experience in both long and short forms and is responsible for some of Asia’s most successful television formats ever produced. Derek started his production career in the Hong Kong film industry and subsequently moved to the TV sector with Hong Kong TVB and STAR TV. He has worked at Sony Pictures Television Networks, Asia and was previously VP & Head of Production and Creative Services for KC Global Media.

Kentaro Yabuki

Founder & Chief Creative Officer, Sunny Pictures

Kentaro is an award-winning producer, director, format creator, and showrunner with over 30 years of experience in television. After a successful career at Fuji Television, he co-founded Sunny Pictures and now works internationally across unscripted formats, comedy, music entertainment, and variety. His credits include “Red Carpet”, “Saturday Night Live Japan”, “The Masked Singer Japan” and “Miracle 100”, which won Gold in two categories at the ContentAsia Awards 2025. He has served as a ContentAsia Awards jury member for two consecutive years and has also coordinated Japanese performers for “America’s Got Talent”. Through Sunny Pictures, Kentaro aims to build creative bridges between Asia and the U.S.

Dennis Yang

CEO & Managing Partner, Studio76

Dennis is the founder of production house, Studio76, launched in 2019 with Taiwan’s National Development Fund and Japan’s Asahi Broadcast Group’s Dream Ventures. The company has garnered 30+ award nominations and 7 trophies from prestigious events such as the ContentAsia Awards. Studio76 also operates Studio886, a YouTube channels network generating more than 250m views in 2024, and launched Taiwan’s first FAST channel in the U.S. AIM2M rolls out in 2025, leveraging GenAI to transform film/series into webtoons. Dennis previously co-founded streaming service KKTV and has held management roles at MTV, Yahoo!, Warner Music and HTC.

Elyn Yong

Elyn is a seasoned content business strategist with over 15 years of hands-on experience in building and scaling content-driven platforms across Southeast Asia. She has worked closely with start-ups to develop and execute content strategies and acquisition plans, working directly with Chief Content Officers and senior executives. Her extensive portfolio includes key roles in the launch and growth of several major platforms, including TM’s first IPTV service HyppTV, regional OTT player iflix, and sooka, Astro Malaysia’s latest standalone OTT service.

Nini Yusof

CEO, Media Prima TV Networks and Primeworks Studios

In her dual networks and production leadership role, Nini operates at the core of Malaysia’s content creation and distribution. In 2025, Primeworks Studios produced and marketed Malaysia’s two highest-grossing films of the year and top five of all time – Blood Brothers and Ejen Ali The Movie 2. Nini’s leadership is marked by a spectrum of groundbreaking achievements, from dominating local production with quality documentaries and popular dramas, to capturing record-breaking social media engagement with innovative short-form content for younger audiences. Her successes also include launching the e-commerce platform Wowshop with CJ E&M. She previously worked at FOX, NBCUniversal and KPMG.